The pool of bethesda william hogarth biography

Engraving after the 1736 painting

The Pool of Bethesda William Hogarth ( - ) RA Collection: Art Scene illustrating John , in which Christ address the lame man 'wilt thou be made whole'. Surrounding the central figures are others suffering from various afflictions, depicted in a startlingly realistic way.

the pool of bethesda william hogarth biography

The Pool of Bethesda The decade also witnessed Hogarth’s Biblical scenes, such as 'The Pool of Bethesda and The Good Samaritan,' produced in – and displayed at 'St Bartholomew's Hospital.' Between and , Hogarth mostly created portraits of the rich and influential elite of London society.

The pool of Bethesda The Pool of Bethesda St. Bartholomew's Hospital, London A Rake's Progress, its engraved reproductions protected by Hogarth's Act, earned Hogarth a great deal of money and permitted him to give attention to his lifelong ambition, which was to paint "history pictures".

On a great staircase The pool of Bethesda in Jerusalem was famed for its healing properties: periodically the water would be disturbed, supposedly by an angel, and whoever first entered the pool afterwards would be cured.

William Hogarth (born November Hogarth’s vast canvases—The Pool of Bethesda and The Good Samaritan—created around , will be restored as part of a project marking the hospital’s th anniversary.

They were the continuance of a William Hogarth () The Pool of Bethesda, William Hogarth's 'Pool of Bethesda' and 'The Good Samaritan' are the stunning backdrop to the dramatic staircase in the north Wing.

'The Pool of Bethesda' The Pool of Bethesda is one of two biblical paintings that William Hogarth painted for London’s St Bartholomew’s Hospital (known as ‘Bart’s’) in the s and which remain in the hospital’s collection (the other is The Good Samaritan, –37).

– 26 October 1764) was The portraits and social satires of William Hogarth, painter and engraver, have come to define the period in which he lived. His best known works include his series of satirical of paintings, such as ‘The Beggar’s Opera’ (c, Birmingham City Art Gallery, private collection and National Gallery of Art, Washington) and ‘A Rake’s Progress’ (c, Sir John Soane's Museum, London).